I’ve enjoyed Michael Connelly’s pairing of stalwart Harry Bosch with Renee Ballard who we first met in The Late Show, a reference to the fact that Ballard worked nights. When this opens Bosch and Ballard haven’t spoken for some time and their relationship’s tense. I was worried I’d missed something and thought their previous outing (The Dark Hours) had ended amicably.
We pick up here a year later however, and quickly learn that plans for the pair to go into business together did not come to fruition and Ballard (instead) returned to the LAPD… leaving Bosch hanging.
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