(Alternate) Reality TV

3 min read

The television show, Fringe, takes its name from its focus on (the edgy) ‘fringe’ science and though I have only watched Season One, it seems to be heading in the direction that postulates the existence of an alternate reality.  Of course the underlying premise may end up being something different*, but I think that is what Aussie expat Anna Torv, Joshua Jackson, John Noble and Leonard Nimoy are all about at the moment, as they investigate a ‘pattern’ of events and unexplainable phenomena.

Fringe

Though I watch, and am devoted to, my share of the fantastical (Buffy, Firefly and Pushing Daisies to name but a few) the concept of an alternate reality is not something in which I believe – though the movie, What The Bleep Do We Know certainly confused the hell out of me and caused me to ponder on the notion for a minute or two!

This idea of us co-existing in a parallel universe is not new to cinema or television.  In Me Myself I, single career-oriented Rachel Griffiths got a glimpse of an alternate life as a wife and mother; and in Sliding Doors, Gwyneth Paltrow’s world split before our eyes as she lived two lives but ended up at the same place.

So, while I don’t believe there is another ‘me’ living in some other realm, I have often pondered those “Sliding Door” moments in my life when I could (or should) have followed one path rather than another: decisions about whether or not to pursue a relationship;  decisions about what to study at University.  Interestingly for me, most of these occurred when I was younger and are probably decisions which could have taken my life in an entirely different direction.  The choices I have made over the last 10 – 15 years, though important, have not been as pivotal (literally). I recently wrote (elsewhere) about wanting a “Do-over” to go back to my youth and start again.  To not make the same mistakes; to take more chances and risks; and to make different decisions.

Sadly, this wish has not been granted.  And there is no alternate reality.  Or if there is and my life there is a more fulfilling one, I will never know (unless that ‘two worlds colliding’ thing really does happen!).   But, as a New Year dawns, we all have the opportunity to make new resolutions, set new goals and ponder our decisions more carefully.   Maybe a change in direction lies before us, or passion pursued.  A deliberate Sliding Door moment in this reality perhaps…

* Though it took me a while to settle into Fringe, I ended up enjoying the show immensely.  Despite being a natural cynic, I found myself accepting the storyline on the screen before me, going with the flow and opening my mind to the world being offered.  Having said that, I read an interview with creator, JJ Abrams, as he discussed the potential ‘direction’ he envisaged the show taking.  As someone who believes that Lost got WAY lost I hope he doesn’t ‘try’ quite SO hard (to make it different or interesting or unpredictable) this time around.

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Morning Pages and Basketball Shots

Morning Pages and Basketball Shots

4 min read

My friend, KC, is the most optimistic and motivated person I know.  We met a few years ago at a beginners’ writing course.  While I have remained a beginner (and am actually going to repeat the course this year!), KC has gone from strength to strength.  She has had many-a-feature published in magazines and is awaiting the release of her first children’s book.

Though KC is (obviously) very talented and dedicated, she once told me about a book which helped release her inner creativity and set her onto a more confident path. 

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Borrowed time

Borrowed time

Nine years ago someone died. I don’t know how or why. I don’t even know who. But I do know that their death benefited my family in a way that we will never forget and in a way that we can never repay.

My father has had heart problems for as long as I can remember. I vaguely recall his hurried trips to Brisbane from regional Queensland when I was a youngster. Not to mention the regular check ups which, to my mind, always seemed tokenistic and the rotating array of interns, fairly disinterested.

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Everything old….

I discovered something about myself this morning….  I am a sucker for a sample, as in the type that is mixed into another song.  Perhaps I am living in the rose-coloured-glassy past (like my father who believes that footballers today don’t measure up to footballers of yesteryear!).  Or perhaps it is just some longing for the familiar; but it occurred to me that I have spent many an hour searching out an original song which has been mixed into something new.

Last weekend I was at my niece’s ballet concert and there was an up-tempo dance set to a mix of Beethoven’s Fifth Symphony.  As it started I was reminded of how much I liked the song “When I Get You Alone”, by Robin Thicke, when it came out in the early 2000s and featured a sample of the mix (yes, I have truly pathetic taste in music!).  Similarly, I love love lurved Alicia Keys’ 2005 release, “Karma” which sampled Stevie Wonder’s “Superstition” and was reminded of this today as I was watching RAGE and an old clip of Stevie appeared before my eyes.  I recalled (after hearing “Karma” and its addictive beat) going online to buy and download the original 30 years after its release.

A year or so ago I remember being entranced by Craig David (and not just cos he suddenly looked less like a boy band member and very sex and buff!) sampling David Bowie’s “Let’s Dance” in a song-that-went-nowhere-but-was-very-boppy, “Hot Stuff”.  And, though I am no huge fan of rap, I have found myself appreciating everything from Vanilla Ice’s “Ice Ice Baby” mixed with “Under Pressure”; to 2Pac’s “Ghetto Gospel” and “Changes”; to Nas – a huge fan of the why-reinvent-the-wheel, mixing “Carmina Burana” and Beethoven into his music.  And finally, cos I am a sucker for the clichéd and love the original, another favourite of mine is Coolio’s “I’ll C U When U Get There”, featuring Pachelbel’s Canon.

Everything old is new again, it seems.

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The Grand Gesture

Starved of anything better to do on a recent Monday night, I found myself watching the romantic comedy, Must Love Dogs. A movie I vaguely recalled seeing previously and, while I wasn’t glued to the screen, it kept me entertained in between channel surfing for something better.

Must_Love_DogsI mostly enjoyed the movie as I am a huge Diane Lane fan, but found myself cringing at the end of the movie. Having decided that she really did ‘want’ John Cusack’s character (Jake), Diane Lane’s character (Sarah) goes to find him and discovers him to be out on his boat. Not content to merely wait on the dock for his return, she is apparently so desperate to see him that she hails a passing rowing crew to take her into the middle of the river to find him.

Then, rather than paddling up to him, she leaps from the boat (along with the aforementioned and obligatory dog) and swims over to him. I could barely watch the scene as it was SO cheesy and (frankly) embarrassing to all concerned.

As I lay in bed later I found myself wondering why Directors or Writers feel compelled to include such scenes in an otherwise watchable movie, often destroying any credibility the film had engendered. As I pondered on this some other examples came to mind.

In How to Lose a Guy in 10 Days (a very ordinary movie made bearable only by the eye candy – care of Matthew McConaughey), the guy (on his motorbike) goes chasing after the girl (in a taxi) amidst traffic on some bridge somewhere. Accompanied, I am sure, by appropriately poignant music. Again, a scene which (to me, anyway) was so over-the-top I could only bear to watch through squinted eyes.

how-to-lose-a-guyIn Pretty Woman, Richard Gere braved the dodgy part of town – and the height of the fire escape – to declare his undying love for his hooker. In Sweet Home Alabama, Reece Witherspoon tracks down (the again very gorgeous) Josh Lucas amidst a storm and lightning conductors. Hugh Grant bumbles through a race-across-town and braves public humiliation to declare his love to Julia Roberts in Notting Hill. And who can forget Bridget Jones, clad in only a coat and her underwear, chasing after her man in the snow; Meg Ryan rushing to the top of the Empire State Building in Sleepless in Seattle; or her cohort Billy Crystal racing through busy streets to seek her out in When Harry Met Sally.

I sense a theme. So, I ask, what is it about the grand gesture and romantic comedies? Is the grand gesture a pre-requisite for any ‘romcom’ or chick-flick? Does it guarantee a box office hit? These questions and more were enough to occupy my busy little mind for a spell and I found myself mulling over the genre and what it has to offer.

The basic plot of a romantic comedy, or indeed, even a straight romance generally involves our two protagonists (usually a man and a woman in mainstream cinema) meeting, then separating (due to a fight or problem of some kind) before ultimately reuniting. That is it in a nutshell. Romantic comedy 101. Of course there are a few laughs or weepy moments along the way. And, as evidenced by my top-of-the-head list, the reunion is often preceded by some spectacular show of affection. A grand gesture of sorts. It seems to be rare that happily-ever-after comes without the grand gesture, but it is my opinion that the conclusion is often more palatable when the film remains gesture-less. The recent Sex and the City movie didn’t involve anyone racing through the streets, but rather the (other oft-used) accidental meeting of the former lovers. Interestingly they were still able to declare their undying love and we were able to believe it – even without the fireworks and near-misses. An old favourite of mine, About Last Night, comes to mind as well, the protagonists meeting at the end and deciding to start anew. To me, simple and believable. Completely believable.

Perhaps I lead a sheltered life but – to the best of my knowledge – none of my friends or their acquaintances has had to embark on a car chase or throw themselves out of a boat to declare their love for another.

I realise we are living in an age where we demand more escapist themes from our films and literature. But while I am happy to watch and read about wizards and vampires, I want the stories that are supposed to be believable, to actually BE believable and not sufficiently cringe-worthy to make me regret the previous two hours. Is that too much to ask?

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Reading Jane Austen

Reading Jane Austen

Earlier this year I spent a month at fat camp. That’s a whole other blog post, but I knew I’d be exhausted every night and need something to keep me sane. With my luggage allowance limited I decided therefore, to take with me a book I’d been given a decade before but had yet to open.

The Complete Novels of Jane Austen, as the title suggests, comprises (all) seven of Jane’s completed novels.  Four of these (Sense and Sensibility, Pride and Prejudice, Mansfield Park and Emma) were published during her lifetime and two after her death (Northanger Abbey and Persuasion.).  The seventh novel in the tome includes an early composition titled Lady Susan.

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Addiction

Addiction

I am, as it happens, obsessive by nature.  My addictions come and go and range from the unhealthy – champagne, red wine, caramel filling, chocolate, to the healthier – watching episode upon episode of my latest favourite TV show, or reading book after book.

There are some things of which I cannot get enough.  For a while (on the healthy side of the scale) I read incessantly.  I inhaled novel after novel.  Some good, some not-so-good and some pretty crappy.  (I do however have SOME standards, so there were a few returned to the library unread!

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Felicidades – parte dois*

5 min read

When I first returned (from living in Mozambique in Africa in 1996) I attempted to retain what little Portuguese language I had learned. At the time there was a Brazilian soap opera on one of our TV stations. It was called Felicidades – essentially meaning happiness in Portuguese. While the show itself was typically soap opera-like, I fell in love with the word (rarely used in its plural form).

Although I continue to work in jobs that (by their very nature) require me to constantly be ‘available’ I have been considering cutting back my hours. And no, I don’t mean just to start only doing 8-9hr days, but rather working a 4 day week. I have done the sums and I cannot really afford this. But I am getting closer and closer to approaching my boss about it.

UnderTheTuscanSun_1024X768_1And I wonder now about the concept. Of happiness. I have just written about two women’s searches for happiness, in Elizabeth Gilbert’s book, Eat, Pray, Love (EPL) and the movie (based on a book and featuring one of my favourite actresses, Dianne Lane), Under the Tuscan Sun.

I defended both as not being self-indulgent, superficial quests for ‘happiness’ or ‘meaning’ but rather attempts to regain some of the lives the two women had lost when they unwittingly lost themselves in failed marriages.

I have never been a big believer in the concept of happiness. I talk to my mother often of my ultimate quest for a sense of ‘contentment’ rather than happiness. To me happiness is fleeting – something experienced when you are presented with a nice meal or buy a new item or clothing. Contentment (to me) is less transient. It is more about our sense of ourselves, than derived from external sources.

Having said that, I do believe that unhappiness is less transient and more pervasive. I also believe it is possible to talk ourselves into unhappiness. One minute we are going along okay and then we look across the road and see someone else who has more, or better, and then we feel like we are missing out.

I am a walking-cliché. Constantly feeling discontented with my life, I constantly change things around me (usually jobs) searching for a possibly-unattainable state. I often describe my emotional state as bereft or melancholy rather than ‘unhappy’ which I think sounds as if someone has made me so. Sure, a lot of my discontentment is superficial or materialistic. I wish I had a bigger tv (as I am still living with the large black box instead of a flat-screen LCD or plasma tv), a new lounge suite, or fabulous rug. But, much of my malaise results from my lack of contentment with – well, me and what I have (or have not) achieved, what I do (and don’t do) with my time – essentially, how I live my life.

In EPL and Under the Tuscan Sun, both Elizabeth and Frances lost themselves in their marriages and it was only the end of that institution which led them to sit up and wonder where the hell ‘they’ were. I don’t have that excuse. Only in a work-sense have I had to compromise who I am and who I want to be. While I hate that I have always been single, I am fiercely independent so haven’t spend my life waiting for a partner. I have gotten on with things. But like Elizabeth and Frances, I find myself often wondering if there is anything ‘else’. I can’t help but wonder, “Is this it? Is this all there is?”

In the ‘war of generations’, we talk about Generation Y being even more self-absorbed than Gen X. I watched something recently where a ‘Baby Boomer’ – the generation who led the fight for rights which we now take for granted – called Gen X & Y the ‘I want it all’ generations.

I agree that we are becoming more and more demanding. Not just of others and of service and technology, but also of ourselves. We expect to be happy. Here in 2009, in some time-warped anomaly, we want the material possessions of the greed-is-good culture of the 1980s and we expect the fulfillment of the navel-gazing 1960s.

eat, pray, loveOnce we scoffed at those who stopped and pondered on the point of it all. They were the hippy-wannabes or those who dropped out of life to live on the poverty line as potters or poets. We judged them and suspected that – clad in tie-died kaftans – they weren’t really happy, just constantly too stoned to know any better.

But in the dawn of the new millennium we are taking stock of our lives. In a post-September 11-world which has become more and more demanding (we are always at the other end of electronic media and constantly available), it isn’t only the disenfranchised and the recent divorcees who are poised at the precipice for change.

Some of us are ‘down-sizing’ or taking a sea- or tree-change to improve the quality of our existence. We realise that it isn’t all about money. And we are making selfless choices to improve our environment and the lives of future generations.

I have mulled over the idea for years. But, as a single woman, it is hard to justify. I don’t have the standard excuses – study or children. But I want to make a statement – that my life is not entirely about work. I want to give myself time to do other things like exercise, writing, catching up with friends and just doing chores at home.

Unlike Elizabeth or Frances, it hasn’t really taken a crisis to bring me to this point, but a number of things, including my decision this year to try to have a child; and my (particularly confronting ) time at a fat camp recently.

So, love it or hate it, more and more of us are contemplating our lives. I can almost pinpoint those in my social-circle who will ask ‘why’ I would contemplate a 4-day week. It is easy to make fun of those who are searching for ‘meaning’, happiness or contentment, or even just trying to rediscover our lost selves. It is easy to roll your eyes at those who stop to ask themselves if they are happy.

But I think: asking if you are happy is akin to asking yourself if you are in love. If you have to ask, then you probably aren’t!

* Portuguese (hopefully)

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Felicita – parte uno*

4 min read

Why is it that (in novels and films) people have to ‘leave’ to find themselves? Perhaps that is the only reason the novel exists. If, for example, Mary Smith discovered a sense of her real self between making the kids lunches and vacuuming, she wouldn’t probably bother to document the journey. But, had she traveled purposefully across the country or the world to stave off her inner discontentedness, well… then she might have a bestseller on her hands.

Coincidentally I came across two of these journeys in a weekend recently.

I read the book Eat, Pray, Love (EPL) for the first time and I watched a rerun of the movie (from book of same name) Under the Tuscan Sun.

Eat Pray Love - What I'm readingThe same morning that I discovered EPL at my local library I came across an article – scathing in its disdain about society’s current search for happiness. Berating our expectation of happiness along with the myriad of self-help type books, the journalist quotes EPL as being a favourite of some Hollywood-types for whom the book is akin to an existential ‘how-to’ guide. It seems fateful then that I venture across the book later that day and borrow it to see what the fuss is about.

I tend to dislike non-fiction. Well, I actually hate it, and usually don’t go anywhere near it unless forced. When I scanned the book along with my library card, I had no idea that EPL was in fact non-fiction, until I read the cover on arrival home. Nevertheless, I decided I could battle on and see how far I could get before suffering disdain equal to that of the journalist or just giving up out of boredom.

I read it in one sitting. And I loved it. I don’t believe it to be a search of happiness – as blithely condemned by the aforementioned journalist. This implies a glib, superficial self-indulgent search for utopia, or something equally clichéd (Edina’s constantly-changing religions in Absolutely Fabulous comes to mind).

Perhaps if someone told me of the book’s premise, I would laugh. OMG…. A middle-aged well-educated woman suffering from an existential crisis goes to an Ashram in India. True, Elizabeth sounds like walking cliché of a divorcee going through a mid-life crisis.

But, to me, her search through the world’s ‘eyes’ – Italy, India and Indonesia, is actually more about her actually discovering her (lost) self rather than a superficial search for happiness or even some self-actualised meaning of life – despite some of her sources of intellectual and spiritual nourishment!

I read an interview with the author of EPL, Elizabeth Gilbert. She was asked if taking a year off to travel around the world to ‘find herself’ was selfish? I wonder about this question. The notion of selfishness implies that our acts negatively impinge on others. As a single thirty-something year old woman, with the finances to fund her journey I find it bizarre that anyone would question her motivations. We don’t question the selfishness of 20 year olds who want to backpack around the world. Why are the expectations of a 30 year old professional female so different?

Under the tuscan sunSimilarly, Under the Tuscan Sun, features Frances, a bitter divorcee (do I sense a theme?!) who takes off and buys into a new life rather than returning to her old one.

Again it is about a woman trying to find her feet. Trying to find the person she may once have been, but no longer is.

In both the film and book, it takes a crisis for the two women to ‘act’. What does this mean for the rest of us? For those of us not really expecting a life of joy and happiness, but aware of the chunks missing from the jigsaw that is our existence.

Do we need to wait for a crisis? Or is the crisis itself the only reason we venture on such a journey? If there is no crisis, is there no rainbow?

And (crisis or not), is it possible to complete this search as we go about our everyday lives? In between our work, domestic and family commitments? Does this give us the time, energy and opportunity we need to take stock, or do we need to follow Frances’ and Elizabeth’s ‘selfish’ leads and take time out from our everyday lives.

Both of our heroines Elizabeth and Frances, ultimately live happily ever after, having successfully navigated their searches and peeled back the layers of their former lives to rediscover their selves. But, as is so often the case, it isn’t actually the rainbow at the end of the quest that provides them with the answers they seek. It is the journey through which they travel to get there. Frances’ eventual contentment in Tuscany is not arrived at despite the highs and lows during the restoration of her Italian villa, but because of them.

So, in addition to wondering if success is as sweet if there is no preceding bitterness, I wonder now if what we seek comes easily, would it be as fulfilling? Like a math problem, if we are given the answer without actually working out HOW to solve it, we are perhaps no better off than before…

* Italian (hopefully)

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