Lisa Unger’s been one of my go-to authors for more than a decade or so. I think I only discovered her work when she attended the Brisbane Writers’ Festival in 2009, but I’ve read everything she’s written since.
I hadn’t realised this was part of a series when I requested it and though there were things I’d obviously missed in the first three books, it didn’t impact at all on my enjoyment of the fourth in the Scottish police series. In fact, it made me keen to read the previous installations… even though I guess I know some of what must eventuate; but I loved the characters and am confident enough in Fields’ ability to spin a good yarn that I’m keen to spend more time with her creations.
I’ve now read quite a few of Caroline Overington’s novels (such as The One Who Got Away ) and almost every time I review them I comment on the fact that they reflect current and very contemporary issues.
Her latest, The Ones You Trust, is no different.
Publishers usually don’t like bloggers or reviewers to review a book toooo long before its release – a rule I may be breaking here. The early version of Bring Me Back by BA Paris I received was published in early March. I think. However… other versions aren’t being released until mid 2018. So… I’m not actually sure if you’ll be able to get this one yet.
Dervla McTiernan was born in Ireland and lived there until 2011, before moving to Western Australia with her family. Her debut novel The Rúin is set in Ireland and its setting and dialogue quintessentially Irish, but there’s a snippet of her new country of abode, as one of the characters returns from a long stay in Australia.
I read Missing, Presumed by Susie Steiner, the first in this series featuring (then DS, now DI) Manon Bradshaw last year – although I didn’t know (more in the series would follow) at that time. Looking back on my review I certainly took to Manon, who I described as a ‘no nonsense’ sort of person. Which remains the case in her second outing.
I adored this book. I mean LOVE loved it. I adored Eleanor in all of her weirdness. She’s amazingly written and the prose (ie. her voice) – through her thoughts and dialogue are mind-blowingly good. This was a rare occasion on which I both did and did not want a book to end.
Gail Honeyman won a number of awards in Scotland and the UK for this book, and they are most certainly well-deserved.
I’m a latecomer to this book which has been the subject of a lot of online discussion, in the same way Girl on a Train, Gone Girl and You did way back when. Everything I read and heard about it warned me the book was told from several unreliable viewpoints AND the end would be shocking and / or frustrating.