I read Pip Drysdale’s The Sunday Girl when it was released in 2018 and her subsequent novel of suspense The Strangers We Know the following year. Both feature flawed but engaging narrators and relationships-gone-bad, with themes around trust and disappointment.

The Paris Affair initially had me comparing it to Netflix’s Emily in Paris, given there’s a slightly similar feel to the early pages with a confident and ambitious Harper heading off to Paris to work for an English-language French publication. When we meet her she’s keen to wow the world but struggling to find her feet professionally.

Here however, we’ve got the added bonus of a murder. So, Emily in Paris meets The Girl on the Train. Perhaps.