Lee Christine has written several romantic suspense novels before venturing into crime fiction (which she does a great job at, I need to add), but because I’m new to Christine’s work and hadn’t heard of the setting of this novel, I kept thinking it was written by Charlotte Pass. So if I’ve slipped below and quoted Pass’s writing, I apologise in advance.
I’ve been reading so many twisty books lately. I mean, I know I read a lot of novels of suspense and psychological thrillers so it’s what you expect, but authors are obviously working a lot harder to keep we readers guessing.
I’m usually pretty good with the whodunit stuff, but I’ve floundered a bit lately and Catherine Steadman’s Mr Nobody was very much like that.
This is the second book of Steadman’s I’ve read and her 2018 novel Something in the Water was chosen for Reese Witherspoon’s popular book club.
It’s no secret I love this Orphan X series although I’m kinda astounded we’re up to the fifth book already. As each year rolls around and a new adventure appears in my mailbox I have to go back over past reviews to remember exactly what happened in the previous outing. And weirdly, I’m always a book or two out. This time around I’d completely forgotten the plot of book 4 and was thinking we were picking up after book 3. I suspect I’m in denial about the fact this might ultimately come to an end.
Having said that, it really doesn’t matter when you enter this series as Hurwitz does a great job of effortlessly easing new readers into the world of Orphan X. The Nowhere Man.
Not only has Alice Clark-Platts authored police procedurals, but in her former day job she was a human rights lawyer who worked at the UN International Crime Tribunal.
I only discovered that fact after reading this book though I can better understand the reflection in this book on the concept of retribution as well as some debate over punishment fitting the crime – and if it’s even possible.
Diane Chamberlain is a hugely popular though I’ve only read one book by the American author, Pretending to Dance, published in 2015.
Her latest, Big Lies in a Small Town unfolds in two timeframes and is centred around two women whose livelihoods – and in some ways their futures – depend on an opportunity they’ve been presented in small-town Edenton, almost 80 years apart.
I read BA Paris’s Bring Me Back in 2018 and rated it highly. I follow Paris on Twitter so have been seeing news of her latest release The Dilemma quite a bit. I wasn’t exactly sure when it was out however, so delayed reading it until after 2020 ticked over.
Interestingly this is another book which reminded me I’m a presumptuous smart-arse. I kept considering exaggerated eye-rolls thinking how obvious the plot/s of this book was / were going to be (there are a couple of threads). I assumed I knew EXACTLY what the twists and secrets were. And… I was wrong. Yet again.
JP Pomare’s Call Me Evie, released in 2018, was set in New Zealand (and Australia) and centred around a young woman with quite a complex ‘before’ and ‘after’ story to share. It didn’t flow quite as seamlessly as I would have liked, but I certainly didn’t find it predictable.
Pomare’s followed his popular debut with another kinda creepy and suspenseful tale that’s more polished and the ‘unknown’ more deftly handled than his debut. There is however a similar theme around identity; and its fragility when our spirit or psyche is threatened.
I read and enjoyed Jacqueline Ward’s The Perfect Ten last year. It was Ward’s debut novel and I notice, in my review, I talk about my enthusiasm to read whatever she would next publish.
Thankfully I’ve now had the opportunity to do that and both books are similarly themed – domestic noir. Men behaving badly, though (at the same time) not bastardising all men; and a reminder of the strength women can find when needed.