There’s often a bit of a discussion online in relation to the use of ‘women’s fiction’ to group books that mostly target female readers. I’ve got a long-buried post about the weirdness of it, given that we don’t say ‘men’s fiction’. And quite frankly I’d be insulted if many of my favourite crime fiction novels or thrillers were labelled thus. In some ways I’m torn about the issue*. I know some male readers and reviewers who do read books predominantly about women and women’s issues but at the same time recognise books like How to Mend a Broken Heart by Rachael Johns predominantly target female readers.
And here Johns offers us two leads for the price of one, with her latest novel centred equally around a mother and daughter at very different stages of their lives. She also introduces an older woman, who I very much enjoyed meeting.